FitzRoy Fine Art
Contact us on
01394 610 157
Email
michael@fitzroyfineart.co.uk
Subscribe to
our newsletter
  • HOME
  • ARTISTS
    • Kitty Arden
    • Roderick Barrett
    • Harry Becker
    • Sven Berlin
    • Sandra Blow
    • Peter Coker
    • Francis Davison
    • Frederick Dubery
    • Clifford Fishwick
    • Cornelia FitzRoy
    • Judith Foster
    • Sir Terry Frost
    • Joy Griffith
    • Harry Hambling
    • Adrian Heath
    • Josef Herman
    • Blair Hughes-Stanton
    • Bryan Ingham
    • Christopher Johnson
    • Robert Kelsey
    • Geoffrey King
    • Bernard Kohn
    • Donald MacIntyre
    • Robert Medley
    • Margaret Mellis
    • Glyn Morgan
    • Malcolm Moseley
    • Colin Moss
    • John Nash
    • Paul Nash
    • Mary Newcomb
    • Tessa Newcomb
    • John O'Connor
    • Mary Potter
    • G Pearson
    • Michael Rothernstein
    • Michael Canney
    • Sir John Alfred Arnesby Brown R.A
    • Anthony Frost
    • Phylis Roper
    • Henri Roidot
    • Valerie Thornton
    • Ian Houston
    • Roland Suddaby
    • Julian Trevelyn
    • Roy Turner Durrant
    • Sir John Verney
    • Philip Warne
    • Paule Vezelay
    • Mary Webb
    • Adrian Ryan
    • Campbell Mellon RBA Roi
    • Martin Laurance
    • Padraig Macmiadhachain
    • Martin Battye
  • PRIVATE SALES
  • NEWSLETTER
Perchar 5
Lino cut signed titled and editioned Provenance Bellgrave Gallery,St.Ives 34cms x 36cms Price 1100 pounds

Adrian Heath

1920-1992


Adrian Heath was a British painter born in Burma, who when he left school in Dorset in 1938 studied art under Stanhope Forbes in Newlyn.  He then attended the Slade School of Fine Art in 1939.  During World War II he was a prisoner of war during this time he met and taught Terry Frost.  He returned to the Slade after the war between 1945–47 and first exhibited in France in 1948. In 1949 and 1951, he visited St Ives where he met Ben Nicholson and spent six months with Frost.  He was to become the main link between the St Ives School and the London based Constructionists, Victor Passmore, Mary and Kenneth Martin, and Anthony Hill and he was also influenced by D'Arcy Thompson, Hambridge and Ghyka. 

 

Between 1951 and 1953, Heath held exhibitions in his studio at 22 Fitzroy Street. The third exhibition included William Scott, Roger Hilton and Frost. The art critic Lawrence Alloway saw these artistic groupings as a new development in modern painting and in 1954 he published ‘Nine Abstract Artists’ which celebrated the advancement of abstract painting in works by Heath and his associates. Heath also published an essay in 1953 ‘Abstract Art: Its origins and meaning’ .

 

Heath had one man and group exhibitions in London (particularly at the Redfern Gallery) and across Europe from 1953 until his death.  He painted abstract and later semi-abstract pictures in oil and acrylic but was also a collagist, depicting motifs from nature and the figure. He made a series of constructions between 1953-54.


Heath was Chairman of the Artists International Association (1954-64).  He taught at Bath Academy of Art (1955–76) and the University of Reading (1980–85). He was artist in residence at the University of Sussex in 1969 and a senior fellow at the Glamorgan Institute of Higher Education (1977–80). He died in France in 1992.

His work is to be found in numerous collections including the Arts Council of Great Britain, the British Museum, The Tate Gallery, The Victoria & Albert Museum and the Brooklyn Museum in New York.

 

© FitzRoy Fine Art
Contact    Sitemap    Site by Spinnaker